Though “The Bourne Identity” performed only decently on its opening weekend - “Scooby-Doo” nearly tripled its box-office take - word of mouth buoyed the movie, and it ended up making more than $120 million domestically. And he wasn’t kitted out with the latest technological marvels or a souped-up Aston Martin he made do with found objects or whatever car he could steal. He didn’t punctuate his pummeling of foes with well-aimed quips. Jason Bourne was a new kind of action hero. The movie’s mix of visceral, kinetic action and contemporary political concerns felt fresh to audiences. But something odd happened in the summer of 2002.
#Jason bourne real or fake 4k movie#
“The first movie looked like a turkey within the business,” Mr. Given the Bourne franchise’s rocky beginnings, its ultimate success came as a bit of a shock - even to its star. “But you have to give them enough of something they recognize that they feel like they’re getting what they paid for.” “It’s this weird thing where you can’t give them exactly the same thing, or they’ll be resentful,” Mr. The creative team and studio behind “Jason Bourne” hope their film performs more like this year’s few outliers, “Captain America: Civil War” and “Finding Dory.” But they all recognize that the calculus behind successful sequels is tricky. The results were even worse for sequels with significant time lags since the previous film, like “Zoolander 2” and “My Big Fat Greek Wedding 2.” “The Huntsman: Winter’s War,” “Neighbors 2: Sorority Rising,” “The Divergent Series: Allegiant” and “Alice Through the Looking Glass,” just to name a few, landed with a thud at the box office. But the simply titled “Jason Bourne” emerges in a moviegoing environment very different from the one the superspy found himself in in 2007.įor franchise films, 2016 has been an annus horribilis. It delivers some terrific action and disc will give any home cinema system a good workout.The road to yes involved a fragmented political landscape, an insistent fan base and gently prodding studio executives.
#Jason bourne real or fake 4k series#
It's not as fresh or as innovative as the original trilogy, but is head and shoulders above the weak and ineffectual Bourne Legacy.įans of the series will enjoy this release. Jason Bourne is definitely showing its age in this latest instalment. The car chase on the Las Vegas strip is especially good and the final fight is a brutal sounding one. Sound is loud and clear, with action scenes delivering plenty of 'crash, bang, wallop', duly exploiting the surround channels. The bassy score by John Powell and David Buckley helps sustain action sequences with an intensity that's become a trademark for the Bourne series. In terms of the audio it's a smashing soundtrack - quite literally in some cases. There's one instance where you can spot smudges of dirt on a computer screen, that helps the film's attempt to feel 'real'. The image is polished, but retains a gritty feel, with strong colours (explosions light up the screen) and plenty of dirt, dust and grime in the image. Greengrass is known for moving the camera image stability is string and there's little, if any, loss of focus. MORE: 10 of the best film scenes to test picture quality Vincent Cassel literally has no name (he's called 'Asset') but does exactly what the film requies of him. Alicia Vikander's CIA agent is driven, while Tommy Lee Jones epitomises the snake-oil CIA agents we've come to expect from these films. The action scenes are thunderous and that gritty aesthetic that has been the hallmark of the series is present and correct.ĭamon's assasin is even more monosyllabic in this edition, driven by the need to find the truth and find a purpose in a world that's left him behind. In that respect, Bourne feels a little tired and leggy, but both Damon and Greengrass have clearly put in the effort to make this return as good as they could. There's plenty of globetrotting, 'assets' engaged in familiar activities and action sequences that echo the visceral film of Supremacy and Ultimatum.īut the reasons for bringing Bourne back are lacklustre, as if Greengrass and Christopher Rouse couldn't quite pin down a reason to bring him back.
0 kommentar(er)
